Jeff Bezos spreads the darkness at the Washington Post
Billionaires are not the saviors of American journalism
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Sierra Barnes writes in: |
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3. The (Dis)comforts of Misogyny and the Monstrosity of Reproduction in Jonathan and Joshua Luna's Girls
Małgorzata Olsza
Comics and Norm-Critical Pedagogy: Gender, Sexuality, and Cultural Identity explores how comics can challenge societal norms and serve as powerful tools for critical education.
This edited collection brings together essays examining how graphic narratives question dominant perspectives on gender, sexuality, ethnicity, mental health, and other intersecting identity categories. It highlights how comics not only reflect but also disrupt normative worldviews, offering a unique lens for norm-critical pedagogy. Each chapter concludes with reflections on the pedagogical implications of its analysis, bridging theory and classroom practice. The volume also introduces norm-critical perspectives to English-speaking comics scholarship, expanding the conversation around how visual storytelling can foster critical awareness and social change.
Comics and Norm-Critical Pedagogy: Gender, Sexuality, and Cultural Identity is ideal for graduate and postgraduate students, as well as researchers in comics studies, education, gender and sexuality studies, and the broader social sciences.

Dogtangle opens with a town hall meeting in a Taco Bell nestled in the bland corporate environment of Business Park. A man, bleating to anyone who will listen about the evils of current zoning laws, meets a woman who works in pharmaceutical marketing. They begin a relationship. They get married. From their union springs the idea of the Hypermutt: a many-headed mass of dogs that absorbs each new dog it encounters.This debut graphic novel from Chicago cartoonist Max Huffman, about an awful power couple who defy God and nature in creating a hound of hell for our times, is at turns a rich satirical fable, a white-collar black comedy, and a stylistic tour de force blending elements of abstraction, cubism, mid-century modernism, and visual sight gags. One of the most visually distinctive and funny graphic novels in recent memory, Dogtangle is also underpinned with a deep mistrust of corporate and cultural hegemony, cementing its relevance in our increasingly oligarchal times.
Max Huffman is a Chicago-based cartoonist whose work synthesizes absurd comedy, retro illustration and geometric abstraction into a frenzied, writhing mass. His comics Them-Shaped Clouds and Cover Not Final have been nominated for Small Press Expo's Ignatz Awards. As an illustrator, his commercial clients include Doughboys, King Gizzard & The Lizard Wizard, and The New York Times. Dogtangle is his first graphic novel.
Adam Griffiths is a cartoonist and arts administrator based in the Washington, DC area. Between exhibiting his art at various DMV region galleries and tabling his comics around the country, he authored "Washington White," a surrealistic graphic novel reimagining his grandmother's landmark Civil Rights case as a science-fiction spy thriller. In 2022, Griffiths opened DwightMess, a comics 'compound' in his Silver Spring, MD home that includes several gallery spaces, screen-printing workshop, Riso studio, and an extensive library of comics, zines and periodicals. DwightMess has mounted over 25 exhibitions since opening, sponsors an annual artist residency program, hosts a regularly-convening comic book readers' club, organizes an artists' summer retreat program in West Virginia and has thrice hosted the StoryBox Comics Fair, a 2-day mini-convention for area creators to showcase their artwork to the general public.
If you'd like to purchase this title online and still support People's Book, follow the link below:
https://bookshop.org/a/98269/9798875001291
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Come celebrate Lunar New Year with me in Baltimore! I'll be doing a talk and book signing, but they've also got games, crafts, and more!
BALTIMORE, MD
Sat 2/14/26 2:00pm
Baltimore Public Library – Cantonsville Branch
1100 Frederick Rd
Catonsville, MD 21228
More info here: https://events.bcpl.info/events?n=2&term=lunar+new+year&r=months
There's a catch: Since the pilot is still under copyright protection, the digitized version can only be viewed on-site. Because 20th Century Fox (and now by extension Disney) owns the copyright, there really isn't any prospect of the pilot being legally disseminated any time soon. There's no way for you to see it except at the Library of Congress itself, in their media repository and viewing room. So I sat down in the '70s-era upholstered chair, slipped on a library-issue pair of headphones, and buckled in...
Gary Groth | February 6, 2026 https://www.tcj.com/sal-buscema-interview-fantastic-fanzine-8-9-1969/